The contemporary art system has become fluent in the lexicon of transdisciplinarity while remaining structurally allergic to its implications. Biennials invoke ecology, architecture, and data sovereignty as thematic toppings on an unchanged curatorial chassis. Research-based practice is now a genre, complete with its own mannerisms and market niche. But a theme is not a structure. To invoke “the urban” alongside “the ecological” without asking how one term loads pressure onto the other is not integration—it is adjacent decoration. Socioplastics, the long-duration corpus assembled by AntoLloveras under the LAPIEZA-LAB signature (2009–present), refuses this logic not through manifestos but through infrastructural necessity. The project does not gather topics. It discovers that certain subfields cannot be extracted without systemic collapse. Remove architecture, and spatial intelligence vanishes. Remove epistemology, and legitimacy conditions become opaque. Remove art, and the operative body—textile, performative, residual—detaches from theory. This is not interdisciplinarity as hospitality. It is interdisciplinarity as ontological debt.

Architecture in Socioplastics has ceased to denote buildings. That would be too easy, too professionalized. Instead, architecture becomes the design of conditions: epistemic, scalar, synthetic. The node, the book, the archive, the dataset, the public interface—each receives tectonic treatment. Weight, position, threshold, circulation, load-bearing function. These are not metaphors borrowed from construction. They are operational descriptors for how a corpus maintains coherence across 25 century packs, thousands of DOI-anchored statements, a Hugging Face dataset, and a distributed blog network. When Lloveras deposits a Zenodo record (10.5281/zenodo.19162689), he is not performing academic archiving. He is laying a foundation stone. When he edits a Wikidata entry for Socioplastics (Q139530224), he is not adding metadata. He is calibrating the semantic reinforcement that prevents concept drift. Most transdisciplinary projects dissolve under the weight of their own expansion. Socioplastics stays legible because its architecture is recursive: each new node indexes prior nodes, each identifier chains to adjacent identifiers, and the entire mesh behaves as a self-supporting dome.