Anto Lloveras’s comprehensive framework presents a formidable artistic proposition for the 21st century: the total synthesis of praxis into a sovereign epistemic organism. This is not an artist’s retrospective but the anatomical blueprint of a self-designed entity operating on a logic of metabolic sovereignty. Trained as an architect and operating transdisciplinarily across art, film, and urbanism, Lloveras has methodically constructed a unified socioplastic body—a planetary-scale metabolic infrastructure that ingests the complexities of urban life and digital flux to produce its own authoritative counter-logic. The operational core of this sovereign body is its hyperplastic methodology, a relentless process of absorption and translation. This mechanism moves beyond the crude notion of cannibalism into a sophisticated mode of alchemical curation. Lloveras’s practice exemplifies a “sensibility of the total curator,” where external energies—the waste-management ethos of collectives like Basurama, forensic investigation, or the topographic intelligence of plants—are not copied but transmuted. Each component—the