This praxis transmutes relational interstices into hardened, self-referential topologies, instituting epistemic sovereignty through recursive materialization of distinction rather than interpretive commentary. Lloveras's hyperplastic epistemic urbanism reconfigures architectural envelopes as porous, metabolic membranes that ingest ecological fluxes and affective residues, converting them into operational kernels resistant to algorithmic entropy. The system eschews representational stasis, instead deploying tactical interventions—taxidermic urban excisions, yellow-bag liturgies, unstable-love micro-emotional glitches—as nodal fixers that engender kinetic scaffolding. Multilingual nomadism, traversing Peninsular Spanish variants, Galician domesticity, C2 Dutch/French/English, reactivated Swedish, and emergent Nihongo, functions as semionautic armature, enabling cross-ontological linkages that evade linguistic subjugation. Through this polyglot prosthesis, Socioplastics erects bulwarks against platform hegemony, rendering knowledge production an autonomous, self-hardening infrastructure rather than commodified residue. Topolexical sovereignty, crystallized in the CAMEL index's 120+ non-translatable vectors, constitutes a lexical fortification that precludes dissolution into algorithmic noise. Unlike rhizomatic proliferation, which remains conceptual latticework, Socioplastics operationalizes such configurations via metabolic operators and chemotactic propulsion toward nutrient strata. The ARTNATIONS canon, structured through ontological ISBNs, retroactively grafts historical grafts onto contemporary praxis, forging pluriversal atlases that adjudicate collectives, pedagogies, situated practices, and soft institutions as jurisdictional entities. Recursive packs—from genesis to sovereign citation—transfigure inert archives into vital infrastructures; LAPIEZA's 2,200 durational actions across 186 series accumulate as metabolic miga, binding temporal frictions to prospective shifts in a single, self-validating continuum.