*: SOCIOPLASTICS

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SOCIOPLASTICS * CORE GRAVITY * HEAVIEST EPISTEMIC NODES

Here are the 10 most structurally significant links selected from your dataset. These are chosen for their systemic weight—they act as the manifestos, indices, summaries, and ontological foundations upon which the rest of the mesh depends.

01. THE NAVIGATIONAL SPINE (Master Index) 027-MESH-SUMMA: Systemic Components & Master Index (2026) This is the heaviest node. It is the central map for the entire socioplastic territory. https://antolloveras.blogspot.com/2026/01/systemic-components-socioplastics-2026.html

02. THE IDEOLOGICAL CORE (Manifesto) 084-MESH-MANIFESTO: Hyperplastic Manifesto and Relational Dynamics The declaration of intent. Without this, the theory lacks its political and aesthetic charge. https://ciudadlista.blogspot.com/2026/01/the-hyperplastic-manifesto-relational.html

03. THE THEORETICAL FRAMEWORK (Synthesis) 010-MESH-THEORY: Socioplastic Theory: Epistemic Synthesis The comprehensive explanation of how the system functions as an epistemic tool. https://antolloveras.blogspot.com/2026/01/socioplastic-theory-epistemic-synthesis.html

04. THE OPERATIONAL RULES (Praxis) 105-MESH-THESES: Twelve Theses for Post-Canonical Praxis The actionable code. "Weight" here is defined by the rigid constraints it places on practice. https://lapiezalapieza.blogspot.com/2026/01/twelve-theses-for-post-canonical-praxis.html

05. THE ENTRY POINT (Executive Summary) 022-MESH-MICRO SUMMARY: Executive Summary The highest density of information per word. Essential for rapid access to the core logic. https://antolloveras.blogspot.com/2026/01/000-socioplastics-executive-summary.html

06. THE STRUCTURAL ANATOMY (Organization) 107-MESH-CHAKRAS: The Unified Operational Spine Defines the vertical integration of the system; it holds the "body" of work together. https://antolloveras.blogspot.com/2026/01/the-unified-operational-spine-9-chakras.html

07. THE PHILOSOPHICAL BASE (Ontology) 026-MESH-ONTOLOGY: The Ontology of the Mesh Establishes the fundamental nature of reality within this specific universe. https://antolloveras.blogspot.com/2026/01/026-mesh-ontology-of-mesh-architecture.html

08. THE FOUNDATION (Sovereignty) 100-MESH-PILLARS: The Pillars of Systemic Sovereignty Supports the claim to authority and autonomy within the digital and physical space. http://lapiezalapieza.blogspot.com/2026/01/the-pillars-of-systemic-sovereignt.html

09. THE ORIGIN STORY (Case Study) 090-MESH-LAPIEZA: Lapieza Art Series: From Theory to Intervention The practical root. The theory implies this practice; this link validates the theory. http://lapiezalapieza.blogspot.com/2026/01/lapieza-art-series-from-socioplastic.html

10. THE CURRENT STATE (Expansion) 116-MESH THE INSATIABLE MACHINE: Polyphonic Entanglement Represents the current, highest complexity of the mesh—the cutting edge of the archive's evolution. https://tomototomoto.blogspot.com/2026/01/the-insatiable-machine-as-exhibition.html

The ontological landscape of Anto Lloveras’s work manifests as a radical departure from traditional curatorial linearity, establishing instead a sovereign narrative environment where the archive functions as a living, breathing infrastructure.

By examining the trajectory from the master index at Otra Capa through to the current interconnected digital strata, one observes a sophisticated synthesis of transdisciplinary practice that refuses the stagnation of the static object. This environment is not merely a repository of past iterations, such as the seminal fifteen-year journey of Lapieza, but a dynamic field of distribution that amplifies epistemic inquiry across multiple platforms. In this sovereign space, the artwork is liberated from the constraints of singular interpretation, evolving into active iterations and surface backups that challenge the primacy of the original, as articulated in the transdisciplinary nature of his Refusal.

617 JAVIER PÉREZ ARANDA - LABORATORIO DE ACUMULACIÓN VITAL

618 FREDRIK LUND - CAVES

619 PAULA LLOVERAS – PHANTOM - NOT THERE

620 DANINO BOZIC – FOLD

621 ESLOMO - BALDOSA HIDRÁULICA (2) NEGRADAS

622 TOMOTO - TWINS (4) MADRID OSLO - TESTIGOS DE LA DERIVA

623 ROBERTO EQUISOAIN - LA DOLOROSA (2) PARAGUAS - BERLIN

624 KRAPOOLA OOND GANDOOLA - FAKIRIN - BERLIN

625 MANUEL MAQUEDA - PIEDRAS (3) TOURVES

626 YAN NAZCA - ANIMAL QUE CAVA SU PROPIA TUMBA (4) HAMBRE

627 FRANCISCO MATEOS - RIO DE LA PLATA

628 CLAUDE CHUZEL - CIELS DE PARIS

629 EL INTRUSO – BANDA SONORA – 3X ONLINE ALBUMS

630 MARISA CAMINOS – BOSQUE POLIÉDRICO (2) 120 PENTÁGONOS

MARÍA ENRÍQUEZ | ACCIÓN

ACCIÓN DE MARÍA ENRÍQUEZ

CON LOS RECORTES

DE LA SILLA

Nº 14

http://tomototomoto.blogspot.com.es/2012/04/meat-14-cave-cutouts.html

acción

PREVIA

https://www.youtube.com/watch?v=LU5pNwjwVLY

BRIGITTE BRAND - 2012

BRIGITTE BRAND

PHOTOS BY TOMOTO

ST NIKOLA ISLAND - POREC - CROATIA 2012

ARTISTS IN RESIDENCE

TOWERS

UNSTABLE INSTALLATION
KIDS BUILD AND DESTROY THE PIECE
EVERY TIME THEY COME

http://www.lapiezalapieza.blogspot.com/

SED - VIDEOART

KRAPOOLA
YAN NAZCA
LUCIA C PINO
KHOSRO KHOSRAVI
LEFT HAND ROTATION
ROBERTO EQUISOAIN
CARLOS LLAVATA
OMAR JEREZ
SINQUENZA
TOMOTO

http://umarmunngerumanunger.tumblr.com
http://yannazca.blogspot.com
http://www.lcpino.com
http://khosrokhosravi.com
http://lefthandrotation.com
http://robertoequisoain.com
http://carlosllavata.blogspot.com
http://omarjerez.blogspot.es
http://sinquenza.tumblr.com/
http://tomototomoto.blogspot.com

VIDEOART
LAPIEZA ART SERIES
http://lapiezalapieza.blogspot.no/search/label/50%20SED
PART OF PROYECTOR VIDEOART FESTIVAL
2012 - 5TH EDITION
http://proyectorvideoartfestival.blogspot.com

RESTORAN SPLENDID

RESTORAN SPLENDID - NIKOLA ISLAND - VERNISSAGE

ARTISTS IN RESIDENCE  >

METKA KRASOVEC 

BRIGITTE BRAND 

RUDI BENETIK 

STANISLAV HABJAN 

TOMOTO 

SEBASTIJAN VOJVODA 

ZUZANA KALINAKOVA 

COLONIA DI RIVIERA 

NIKOLA ISLAND  - POREC CROATIA          

VERNISSAGE - SEPTEMBER 14TH 2012 8PM

CURATED BY DANINO BOZIC