As a filmmaker and producer, Lloveras has filmed more than one thousand videos, generally in collaboration with artists, scientists and media agents. Work made in Madrid, Miami, London, Milan, Mexico and other locations forms an unstable documentary field in which actions, cities, performances and research situations remain available for later montage and reinterpretation. A long reel does not present everything at once. It produces meaning through succession, return and interruption. The eleven-thousand-node structure of Socioplastics can be read in the same way. Photographs, moving images, urban fragments, diagrams, texts and archival objects enter at different moments, but the corpus keeps them available for later montage. This matters because visual evidence changes when it is seen again. A photograph that began as documentation can later become a historical record, a comparison, a formal study or the missing half of a sequence. Moving images intensify this temporal condition: bodies cross frames, light changes, routes unfold and spaces reveal themselves through duration rather than through a single view. The 110 Books and 11 Tomes give this visual accumulation a macrostructure without turning it into a conventional filmography or image database. The 400 CamelTags create additional cuts through the material, allowing visual objects to connect with concepts such as ArchiveFatigue, ScreenEthics, ImageCompost, PerceptionDelay or UnstableInstallation. Beyond the Exhibition (2026) treats moving image not as an illustration subordinate to a catalogue, but as one evidentiary format among others, capable of retaining action, duration, voices and spatial relationships. Relational Longitudinality (2026) shows why a video may form part of a temporal arc only when its date, participants, context and later uses remain distinguishable. The Unstable Installation series offers a different operation: photographic juxtaposition rather than continuous recording. TomotoTomoto is strongest when montage produces new questions without substituting editorial continuity for historical continuity. TomotoTomoto reads 11K as a reel that can always be re-edited. The index below preserves the chronology of the archive while making new montages possible.