By examining the trajectory from the master index at Otra Capa through to the current interconnected digital strata, one observes a sophisticated synthesis of transdisciplinary practice that refuses the stagnation of the static object. This environment is not merely a repository of past iterations, such as the seminal fifteen-year journey of Lapieza, but a dynamic field of distribution that amplifies epistemic inquiry across multiple platforms. In this sovereign space, the artwork is liberated from the constraints of singular interpretation, evolving into active iterations and surface backups that challenge the primacy of the original, as articulated in the transdisciplinary nature of his Refusal.